Oct 28th, 2014
Or, more accurately, in the hamster treadmill of yours truly's mind. I started with the bathroom, packing up stuff I won't need in the next 2 months, probably less, but who knows for date certain when we will relocate hearth and home to points north. Sitting on the floor, looking at the stuff in the little storage cabinet, not the medicine cabinet over the sink. You know, the place where you put stuff you don't need or only need once and a great while, but yet often enough to keep on hand, just not something that has to be easily reachable, either. THAT cabinet. There is all sorts of interesting stuff in there. Out of date sun screen, a flea comb for the cat, last used two cats ago, and a broken brass incense burner. If this were a drinking game, here's where you'd take a drink because it is me alone in my head, and here's where I go off on a tangent. This particular burner has been a part of my life since I was capable of being aware of it. In its first incarnation, it was my mother's: it was black and it sat in her sewing room on the bookshelf over the daybed in the old house. This is important. It will be on the test. It is small, round and sits on little foo dog feet, and has a pierced lid with another fierce dragon dog reclining upon it as a handle. By the mid-sixties it was living in my bedroom in the new house and went off to college with me. At some point I stripped it of its black paint, the reclining dragon came loose and there is a side piece broken off and living somewhere in my studio where I see it regularly enough to remember what it is and not to incorporate it into a piece of found object art before I find someone who can weld brass, or bronze, whatever this is. The point is, it is both older than me and been a part of my life since I can remember. It has moved from my mother's girlish possession, into her married life, whence I claimed it for my childhood bedroom, through I cannot remember how many dorm rooms; it has moved with me from Miami to NYC, to Miami and back north to Woodstock back to Miami and off to New Mexico and back again to Miami (and that's leaving out the dozen or so apartments I had and my divorce where I lost so many personal belongings) and now it is going back to what was my childhood bedroom, but is now the second guest bedroom, claimed jointly by Paulie and My Cousin Judy. I barely know how I am still here and in mostly one piece after all that, but how did this little thing make it through all those years and all those moves? What spirit is holding us together? In retrospect, as I have uncovered so much of my mother's life before us (her years in NYC in the late 30s), that I presume this is a souvenir of her time there from some shop on Mott Street, perhaps, or maybe from Newport. In the event, seeing it was enough to bring back all of that and more, including the notion that it would be a good thing to take to the new house (our New House, which from 1966 until we bought it, was also my parents' New House, as opposed to the Old House--you see, it was on the test) this weekend when The Person Dressed in Black and I go to Stuart and sleep overnight. Which brings us back full circle to why I was sitting on the floor and packing stuff from THAT cabinet to go to the guest bath in the New House which has generous built-in cabinets and a built-in laundry hamper...thank you MCM and efficient living. We are now about 6 weeks out from the move. It's just that THIS weekend is Halloween. And Mummy passed away two years ago on Halloween night, with yours truly and The Person Dressed in Black at her side. That makes it important to me to be there then (as opposed to being here now) this year and lay a path of marigolds to the front door and ask her spirit to come back and be honored. At least figuratively. I don't know where the hell I'd get marigold petals if I didn't grow my own. It isn't like there is a botanica in the neighborhood or anything....wait. I'm still here in Miami, I probably CAN get fresh marigolds. But I digress.
Sep 23rd, 2014
Anyone who has known me since I moved away from NYC (the Second Stupidest Thing I Ever Did) knows the story of the one that got away. Shortly before I left the city, I was shopping at the Fiorucci's around the corner from Bloomingdale's. Not that I could afford anything, but that wasn't the point. I found this shirt. There had never been a shirt more expressive of my personal sense of style. I coveted it, and when I tried it on, it was as though it had been cut and sewn for me. It was real chamois, in a buttery palomino color. The neck was scooped and the collar, hem and cuffs were all raw edges of the hide. It closed with silver conchos. There were only two seams and they went along the sides and up and under the sleeves all the way to the ends, which were mid-finger tip. The shirt itself was hip-length. It was also as much as two months rent on my studio apartment in the Village (as I recall, $400 a month or there abouts, but we are talking 1977.) They had to throw me out of the dressing room to close the store. I wept bitter tears over that shirt, and have drawn it in sketchbooks and on cocktail napkins ever since. That's right, thirty-seven years of lusting after that damn thing. Two weeks ago, when we were in Jackson Hole for the Big Ass Year of Turning Sixty Extended Pub Crawl and Party, I saw a leather shop's ad in the art guide, and said, I have a feeling if I'm ever going to find that shirt... And so we all went. And there it was. White, not palomino, made of elk hide instead of chamois, and with elk horn buttons instead of conchos, but it fit like a glove and I no longer pay rent. The one that got away is now in my closet. If a piece of clothing could be a spirit animal, it would be this shirt.
Aug 18th, 2014
It has been a very long time since Miz Shoes turned in a book report, but here goes. I just finished The Book of Life, the (per the web site) long-awaited finale to a trilogy. That's true. The release date was set back many times, and the book was languishing in my Amazon basket, waiting. I got it, dragged it home and sat down to read. What a freaking disappointment. The first two thirds of the book are back story for anyone who hasn't read the first two books. Characters are rehashed and highlighted, relationships briefly noted and idiosyncrasies duly recounted and beaten to death by repetition. The protagonist's house, which spent the first two books becoming its own sentient character is left dangling. The plot line is brought up to the present and once all the pieces are in place for the climactic and violent resolution, the author handles it thusly: Well, that happened, and everyone got hurt and needed time to recover and then, happily ever after, with enough loose ends to write another three books. No, really. You slog through three volumes of diminishing interest and writing quality to get to the big battle between the good witches and the vampires who love them and the dark, evil, string-pulling psycho army of darkness, and what you get is a long chapter of lead up, with lots of gory nastiness that turns out to be illusion only, and then a battle that isn't written at all. It's just: and then they fought and the good guys won, but not without pain, but we aren't going to get into that either, just imagine it for yourself, and the hero is badly hurt, but we'll let him heal in privacy and come back to him when he's better. It feels like the publishers wanted another block-buster series, and talked an author writing her story spread out over three books, when all she had in her was one long volume. I spent the summer re-reading some other romantical/fantasy/historical series (Dorothy Dunnett's House of Nicolo, which is absolutely exquisite) and the entire Outlander up to and including Gabaldon's latest volume, and not only is Ms Harkness not in the same league as those authors, she isn't even ready for the minors. But what really irked me, what was really just laziness on the part of the author and her editors was the running "joke" that the heroine's mother and the house itself were huge Fleetwood Mac fans, and so the 1975 album "Fleetwood Mac" is on continuous play in the aether, but Diana (our hero) hates it. While this is an acceptable, if not truly witty gag, the album in question is repeatedly referred to as their first album. It is not. Even the most cursory of glances at Fleetwood Mac's Wikipedia entry or discography would have made that clear. It was the first album with Stevie Nicks and Lindsey Buckingham. The band itself had been around since 1967. They were a respectable, if not huge, draw during the British Blues era. It is this complete ignorance of rock and roll history that chaps Miz Shoes' ass so very, very much. Lack of historical accuracy and perspective is what soured me on "Mad Men" as well. In the first season there was a scene where someone has just returned from a Florida vacation to say that mosquitos aren't the only thing in Boca with big noses. It was a throw away line to indicate complacent anti-Semitism. Except. I'm a Florida native. In 1960, the moneyed Yankees wouldn't have been going to Boca, they would have been going to Palm Beach or Miami Beach, to the Fountainbleu or the Deauville or even to Cuba to gamble. If you can't be arsed to the do research, then don't use the references.
Aug 10th, 2014
So here's my latest get rich quick scheme: First, own a sports bar. Second, get STARZ on your digital. Then, make the night that Outlander airs Ladies Night, turn every screen on to the show, and give any man in a kilt his first shot of scotch free. You are welcome. Let me know how it works out for you.
Aug 8th, 2014
Today in the studio (hey, just because it's only a spare, very small, bedroom crammed with art supplies and three desktop surfaces doesn't mean I can't give it a grandiose name), I spun up a very pink batt and plied it with a magenta metallic commercial thread. It is very, very fluffy and may need to become a long, very skinny scarf. Just under 200 yards of Batts in the Belfry spun rough and plied with a commercial metallic thread, I call it Strawberry Letter 22.
Aug 6th, 2014
This morning I floated in the pool. As I was drifting and considering the luxury of time and idleness, I pondered the old chestnut about youth being wasted on the young and came to the conclusion that it is uttered as truth only by those whose own youths were misspent in a manner far less amusing than my own. Looking back at those years between high school and marrying the Renowned Local Artist, there are episodes of hair-raising stupidity, randomly located habitations, jobs and attention-spans that were lucky to last as long as two years, and absolutely no qualms about trying anything once. I do not consider that time wasted. At the same time, there were close to 40 years spent slaving away for the man, in one form or another. Forty years of keeping my nature tamped down, money seeping slowly into my retirement accounts and stock-piling art supplies. Neither were those years wasted. Now, in this year of turning 60, all of that is coming to fruition. Time to go use some of those art supplies.